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shivasdarknight · 1 year ago

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Hi, sorry for this but you are a writer, so umm.. I was hoping you could give me some tips/advice on how to write?

tbh the way I got into writing is a bit insane, but I do have some advice that can help. gonna put it under a cut just because it got kinda long

honest to god, one of the best pieces of advice is something you're already doing because reading can genuinely help you with becoming a better writer. stepping outside of your usual genres or authors can help expand your viewpoint and introduce you to more narrative styles so you can play around and see what works for you. eg. if you mostly read first person, give second person a shot. or if you're an omniscient third person, try limited third person. or even retrospective first person, because i often see people complain about first person pov when it's married with a present tense story. if you have a first person narrator talking about events in the past as if talking to you, or a journal it often takes an entirely different angle and it's something I've played with in Homestuck fics because that fandom tends to be more open to narrative experimentation. Writing is honestly a lot of looking at stuff you like (much like art) and smooshing it all together. Personally, I've gotten a lot of my writing style from stuff like The Locked Tomb, admittedly Lovecraft was foundational (but this is a great example of why to always remain critical considering his bullshit), so was Homestuck and Rick Riordan's stuff. I'm never trying to copy them wholesale, but I am looking at aspects I like - such as Riordan's humor intertwining with the narrative and narration, or the deeply unreliable narrators that Muir writes, or even how Homestuck balances purple prose with gut wrenching conciseness when it counts. A lot of modern day fast food fiction takes out a lot of the stuff that actually builds a story - pacing, playing with narration and technical writing - so you need to be conscious of what you're looking for in things. Often more established authors get to do weirder stuff than new authors, but don't discredit new ones because that would be leaving out folks like Xiran Jay Zhao and their phenomenal prose.

Another thing that helps greatly is reading writing critique. Video essays on books or even more critical thought pieces on writing, tropes, etc. can help you learn more about why something works. Lots of different channels on YouTube dedicated to dissecting media, absolutely recommend stuff like Hello Future Me, Overly Sarcastic Productions (real world ties + mythology, great basis to build things on), Zoe Bee (writer + commentary), Nerdwriter1 (media analysis + commentary), Just Write, and Tale Foundry. For adjacent suggestions that can help build up alternate perspectives that aren't directly about writing but are about critical thinking with stories (which is frankly an important skill to have), I definitely recommend Princess Weekes, Accented Cinema, Now You See It, Dominic Noble, The Storyteller, and Pop Culture Detective. A lot of this is discussing film (save Dominic Noble, who also talks about books a Lot), but the core essence of storytelling is helpful regardless of what angle it comes in - be it video game, movie, tv, or book reviews and analyses.

Actual writing. Varies on the person on if they do outlines or not and how, but I still recommend trying to do an outline when you're first starting out. One habit to immediately knock yourself out of is writing things chronologically. If you're working on a big piece and have more energy to write something in the middle? Put that in a new doc and leave a placeholder for where you're at. Legitimately, getting words on the paper is more important than those words being good. Because you can always come back and edit things to make sense.

Always edit what you write. I hate the "no beta we die like real men" attitude because people will dunk on editing but then praise stories for having "firm and satisfying" connections which can only really be built through editing. Your first draft is your rough idea. Your second one is when you read through and have it make sense. Three is making that make sense, and maybe 4 is more just grammar and spelling errors. Edit as many times necessary to make sure you like it.

Always work in broad strokes, then move in finer like with anything. Do a general idea for a story, then your main story beats, then how you connect them together, and then the nitty gritty of each. Keep lots of notes - do not rely on your head solely for everything - and just also be willing to let things go if they change.

What I tend to do when I write is I want a good flow. I often get that from reading my writing out loud to hear how it sounds, but I'm looking for a good beat to read along. Because even if the sentence is grammatically correct and structurally sound, it may not be very interesting to read. Like you could say someone feigned a polite expression to not let the other person know that they didn't feel comfortable with a topic, or you could go the angle I went with recently of "she painted herself an interested expression to wear as dread began to gnaw at her gut." Sometimes the more colorful or out there the language is, the better it sounds when you read it. Like instead of saying "that's just how things go for them" you could say, "but Fate had a funny way of making her disdain known for (X character)". And this is where reading other peoples' work comes in real handy because you can get a lot of examples of how people write things.

I also try and reflect themes of the story into the writing itself, like this section of a draft:

Still nothing. Seemed he wasn’t going to bother with a glass, instead just ripping the top off of some bottle of gin and tipping it back with little regard for himself. Still that chronometer ticked on; still that taught tension like another arrow had been drawn. A million and more things flooded Ysayle’s mind, itching to loose them at Estinien, yet found herself stuck in indecision as she stared daggers into him - ever her opposite as he just seemed despondent. The gin bottle hit the extended shelf loudly; one hand a fist around the bottle, the other balled up on the surface - knuckles as white as bone. Still, Estinien said naught. Still, the chronometer ticked on. Still, Ysayle’s heart roared in her ears - poisonous words damming up her throat.

The theme of this story is avoiding the mistakes of the past. How things often can wind up cyclical, and the goal is to break from those cycles and repeats. So naturally, several points of the narration itself repeat itself. This isn't standard writing style, but it gets that point across by repeating "Still" as the scene crawls on. I also use a lot of alliteration in my writing because I personally find it fun? So "a maddening matter made most malign", for example.

It also helps to change up how you write or what descriptors you use based on the character whose head you're in, even if it's third person. Third person can have a voice and I often use it to speak aloud a character's thoughts instead of relying on italicized dialogue-thoughts. It makes the dialogue-thoughts appearing hit more when they do instead of just having to be subjected to internal ramblings constantly. Like in this fic I just published:

“...Can we talk about it on the morn?” “What for?” You don’t know what it is you ask of me. “Tired,” Estinien said with a shrug. “We’ve morning patrol, remember?”

Compared to this fic:

“Yes, confusingly.” Her tone was flat as she leaned once again on Surkukteni’s shoulder, thankfully on the uninjured side. “I fear I may have been wrong, though I truly doubt it. To deny me twice, then throw a fit? I wonder — why didn’t you go through with it?” Not even Surkukteni had that answer. For the umpteenth time during that conversation, she refused to look at Her Darkness. That desire — twisted and poisoned as it was — was one that still surfaced from time to time, yet like clockwork made her ill and was banished from her thoughts. Why was that? She felt scorned back then, wishing the universe would correct this error in sparing him but taking Ysayle — but was she not the one who helped save him? Who helped tear those eyes from his armor? She easily could — and had previously — bluffed that it was to destroy the eyes and be rid of the threat, but given her hesitancy now? Why?

All of Surkukteni's thoughts are condensed into the narration so that I can separate out her thought dialogue from idle musings since she - specifically - has a connection with something that can talk telepathically. This thing comments on the literal narration of the story, so when she's directly addressing this thing it's thought-dialogue. But her actual thoughts become narration to avoid spending too much time with that, as I find it's better used sparingly.

Motivation for writing is probably the hardest thing, and best I can advise is to get really into critiquing the stuff you like because you wind up finding a lot of material in fix-it stuff, or just wanting to see more of stuff like you. It's part of what drives my xiv stuff due to how they treat female characters, and I really just wanna see more sapphic bi4bi. So considering it's something I've been stuck in for a very long time now and really like the ambient lore and wish it would do better, it's fueling my desire to write. And from there, there are so many other angles to take - like building ocs, building lore. Finding a sandbox is genuinely one of the best ways to do it. Again, like. You'd be surprised at how much is there because of spite. LOTR has Eowyn because Tolkien didn't like that the "can be killed by no man" thing in Macbeth was resolved with a character born by c-section, so he instead wrote Eowyn, the woman who killed the Witch-King of Angmar. C.S. Lewis didn't like the fact that Tolkien believed that modern technology - or slightly less modern technology - didn't believe in fantasy and he explicitly cited lampposts. And this is why there's just a random light post in the middle of nowhere in the Narnia books.

Critique is good and healthy. I'm critical with the stuff I like and my own things so I can work on them and myself. It's fine to like something that you don't wholly agree with, especially if you're using it to inform how you build on it or build your own things. Like I dunno, I looked at Dante from Devil May Cry and went "what if he was trans" and now I've got Rhombi, a character who has stepped really far away from the OG Dante mould, but you can still see hints of it as I used what I wanted to see out of DMC to build this bisexual disaster of a guy. I was disappointed by Elsword not really committing to some of their character concepts, so I kinda just took Eve (and admittedly Add) and made them into Celes and Neilos and took them to their logical conclusions. All three of them were originally fantrolls at some point, so most of the heavy lifting was done when I was back in Homestuck and all I had to do was scrub the barcodes off of them to build them up in an original verse.

Chemistry is also crucial. If characters aren't vibing, move on. Do not force it. Good chemistry can save a bad story (eg. FFXV) and bad chemistry can ruin a good story. Often it's the characters that drive a story so you need to do a lot of plotting and planning. Most writing is honestly just planning before putting the words down.

And I'm very much so rambling by now but my main points are these (+ others I'm realizing while typing):

Plot a Lot and keep lots of notes, and also organize those notes. The contents don't have to be pretty, but you'll thank yourself in advance if you at least sort them by core idea

Getting words down is more important than getting them down correctly. You can always come back and edit it when you have an idea of how to make it work

You can always place a [insert scene here] tag so you can keep your flow and don't get caught on something.

You also don't have to write chronologically - you wanna write the big confession scene before the intro? do it! just jump right into it!

also don't be afraid to delete stuff or remove it from your draft. save things for later to see if they work elsewhere, because maybe it could be a better spinoff.

dont listen to the advice of "if it really matters, you'll remember it in the morning" that advice was given by neurotypicals who don't have memory issues. make notes of EVERYTHING and then delete the ones that don't work

sometimes writing by hand vs computer can really make a difference in how you think. handwriting is slower and makes you think about stuff, so you may want to keep journals for random snippets or ideas like how doodling is good for building up your habit of drawing

Outlines can help but how you outline is up to you. Try a few styles out and go with what works best.

I cannot stress enough that having something like a marker board to write out your broad stroke story ideas is really really nice

Broad strokes first, then narrow it further and further down. Don't get wrapped up in the nitty gritty details

Chemistry is crucial and can often save a piece you're not fully feeling.

Read your stuff out loud while editing because it can help point out stuff that's not jiving! I find it helps a lot with dialogue

Read a lot. Listen to critique. Be more critical. Also don't limit your idea of stories to just books - expand the media you consume and you'll find really interesting stories that can help with yours

Don't be afraid to use tropes, but also don't super rely on them to where you're just checking off boxes instead of coming up with natural scenarios built on chemistry (eg. having the nerdy goth girl is fine, but the way the trope ends in most media ("fixing" her or just having her be a quirky cynical critic) may not fit with your story and it may be better to see how the story plays out rather than forcing it into something it's not)

Iron Widow is a good example here: the relationship between Zetian and Yizhi is pre-established and comes off as sort of "boy next door" vibes, or at least the very dedicated childhood friend. It quickly becomes apparent that he's as much a co-conspirator in her plans as Shimin is. The guy can be ruthless when given the chance, and that's how Yizhi goes beyond the initial trope and defines himself outside of it. Same with the contextualization of Shimin's seeming "aggression" as the "bad boy" and figuring out where that problem/persona actually stems from, and then the shift of viewing it as less aggression and more retaliation and self preservation.

Find something you do really want to write about, like filling a void in a piece of media you like or doing a take on media that made you mad or disappointed. Jane Eyre is technically fanfiction because the author wanted to see more of Jane and didn't get that. The Divine Comedy is self insert fanfiction of Dante Alighieri as he does worldbuilding with Christian mythos regarding heaven and hell. The Riordan verse is his interest in mythology crossed with a desire to give his son a protag that was like him (specifically ADHD and dyslexic), which then became wanting to let kids see themselves in the different halfbloods in the series.

There's a lot of ways you can get started writing, but the best way is to just write goofy stuff for yourself. Get out stuff that may look bad at first, but you go back and read it and critique it. Just getting yourself into the habit of writing helps a lot, because again: it matters less about the quality, and more getting it on the page and actually having something. You can always fine-tune writing, after all.

My first FFXIV fic isn't actually even published. It was just me writing something rambly about my Warrior of Light when I was starting to figure her character out. It looks nothing like what I'm doing now in part because that fanfiction became a launching point for me to work on others. I've got a lot of drafts that will never see the light of day because these were proto-concepts that became the stuff I wound up publishing. It's fine to have drafts that remain drafts because you can take that as practice, and practice is good. Anything that you write has value because you can use it to let your technical writing skills mature.

Also, don't be afraid to look for help. There are beta services on tumblr (or at least used to be when I was a teenager), plenty of writing guides or places set up to ask questions, plenty of youtubers that give prompts for you to work with. The hardest part is always getting started. But once you get past the awkwardness of the start, everything just falls into place and gets easier the longer you go at it.

You definitely have the desire for it because I've seen your very deep love of literature through the Bi-Library, so you can definitely become a strong writer if you put your mind to it 🫶 Find something to fix or address, and that usually is what gets the ball rolling. Worldbuilding is fun and can lead to something, but you can't have a well built world without a story to explore it.

Characters drive story, story is how you explore themes and the world itself, and the world itself is built on your experiences and interests. Embrace the fact that this is coming from your lens and experiences, because no media is truly void of the author and its other creators. Embrace that fact and use it as an extension of yourself. But really, just write. Literally anything. Just get into the habit of writing, and it'll progress from there!

#original #asks #answered #bisexual-coala #writing tips #long post #this is very rambly but getting into writing isnt the most straightforward thing #a lot of the time it really is just finding something that clicks and not caring about what goes on the page for the first draft #ive been writing fanfiction for...over a decade now? + a lot of rp (also over a decade) and now some p serious original stuff #my fanfiction has also gotten way more involved than it used to be #genuinely i got started writing by keeping a lot of journals and writing every idea i had even if im now embarrassed by it #what matters is just getting into the habit first and then looking at your stuff more critically once the habit is formed #it's hard to build a habit if you're immediately critical #but it's hard to maintain a habit or hobby if you're not - especially if you feel you can build on something #if you do feel it you oughta pursue it and see where it takes you #perfectly fine to not be critical with hobbies but being Constructively critical is how you improve and mature #constructive is key here. because being down on your own writing or being self deprecating is how you lose a hobby #like let's say you don't like your dialogue #go read scripts or books of stuff you like the dialogue from. analyze why they work in contrast to why you feel like yours doesnt work #maybe someone else has a solution for why it feels off #sometimes it's just as simple as taking a step back and looking at it as a whole or even just sleeping on it and coming back w fresh eyes #always approach something you don't like about your work with the attitude of ''how can i improve so i do like it''#like ''i need to be better at fight scenes. ill be sure to include more in my next piece to focus on it and maybe read some action books''#lotta ways to do it!! theres no one right way just a way that fits best for you!!!#just absolutely ignore the ''if it's a good idea you'll remember it in the morning'' stuff.#it doesn't account for people w memory issues and will screw you over #you do not have to wait until you're good at writing to start working on something. you need something to work on to improve #you can always come back to an idea as many times as you need as you grow as a writer #so just write until you build a habit and base style then analyze and move from there #fanfic is honestly really good for practicing style and technique - the characters and world are already ther so why not use em?

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arodrwho · 4 months ago

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i dont think the meds r doing anything :[

#the first day i felt.. nothing? just my heart beating faster than usual #the next few days i just felt sleepy for a bit and then felt nothing #unsure if i felt calmer than usual or if i just perceived the Absence Of Anything as calm #should've kept a journal before i started but. alas. even if it had occurred to me i wouldn't have kept at it #yesterday and today i Also felt nothing #not even sleepy #i still have all these chores i gotta do #and i still havent written anything #ok not true actually i got a bit of rp stuff done #but i still like. have been atrociously slow with actual replies #and with other projects

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rukafais · 1 year ago

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if yall genuinely want to do this i can set up a little dreamwidth dressing room thing to play with btw. it's a lot easier to make a dw journal than it is a whole ass tumblr blog in the usual style and its far easier to just goof around and keep track of who's replying to who because dw is a journaling site

guys we have to become legend of drizzt rp blogs

#also if you want to have your shitposts or open rp calls or moodboards you can do that in your character's journal!! take my hand #lets play together

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wehavekookies · 3 months ago

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Dear Kooks, do you have some tips to play D&D alone or some solo RPG? I want to play it so bad, I have a lot of characters sheets ready because I’m so excited, but none of my friends are interested. If you know and could tell me is there some online platform to discover groups to play?

Thanks always!

Hello!

(First of all I need to start posting a bit more about solo rpgs and solo gaming in general cos I gathered some really cool materials and games over last months, so thank You for reminding me of that. Just need some more free time but it's coming, oh it's coming)

I don't have experience playing specifically DnD solo, but I know there are tools for it people recommend. The GeekGamers YouTube channel has TONS (and i say it both as an encouragement and as a warning, because it can be a bit overwhelming) of advice materials, also regarding soloing DnD and solo roleplaying in general. She also wrote a book on solo gaming called Solo Game Master's Guide which if I recall correctly has a chapter on DnD specifically as well. I know people are recommending Mythic Game Master Emulator as a good tool, but I haven't personally tried it yet.

What I can recommend tho is... Ironsworn (check the link, the pdf for the first main game is free). I have been playing it solo recently and I find it very fun and satisfying. It's a system based on Powered by the Apocalypse rules framework, so not that close to DnD rules, but if you are looking for a solo rp with some more rules structure I recommend taking a look at this game because it is designed specifically for solo playing (but it can be co-oped and GMed too). You can alter the world of the game freely (and the author encourages you to do that) or use the rules in existing setting, so you can adjust it to your liking (tho i do encourage you to try the setting offered by the book first, together with its world creation process: 1) it's very cool, 2) you will get a grip of the rules in their natural environment)

I found I need a couple of additional oracle tables aside of the ones the book has, but these you can pick up as you go according to your needs, there is plenty online, and a lot of free ones too. Other than that everything you need you have in the free book.

I also recommend taking a look at some actual play of an Ironsworn game (or other games, you can find some examples of actual solo plays on GeekGamers channel too) to get a bit of an idea how people think about running a solo session and how they build a story on their own, and perhaps taking something away from it for yourself. For Ironsworn specifically I super enjoy and highly recommend The Bad Spot podcast. It has several seasons of Ironsworn: Starforge game (Ironsworn's younger brother set in space, but the rules and the idea of how the game runs are basically the same) but also some loose talks about solo gaming in general.

OTHER THAN THAT: I encourage you to look around and see what the solo gaming scene has to offer. There is so many interesting games (some with more rules structure, but also journaling games, choose your own adventure-like games, solo hacks for existing systems, and more etc etc, a whole new world to discover really), it's worth checking regardless of having a group to play with or not. I will try to get back to posting more actively on these topics, cos there is a lot of stuff I would love to share, so fingers crossed I won't get distracted lol.

Cheers!

#my apologies for not addressing the finding a group question #my dnd groups usually formed from existing groups #so im not sure where to look #but best of luck on this field too!#kooks talks #solo rpg #ironsworn

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matrixbearer2024 · 2 months ago

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Hey guys, sorry for the lack of updates- but have been overtaken by the urge to ART and RP with @gftimelord and @gftimelordstwin, I'll likely get back to whatever requests I've got(drawing or writing) or just anything in general-

If you wanna chill out with me and some friends, or just catch up to the things I'm doing- head over to this discord server. My other socials are on here! Can't wait to see you guys there!

I think I'll be focused on heavily gravity falls stuff, but I don't mind gathering requests for some VoxxReader content on here again since I miss writing for the blockhead. I'll likely also write for Stan, Ford and Bill with the XReaders if anyone's interested. Also, here's a bonus journal entry from Doc(Ford) and Lee(Stan) for my time lord twins AU- I'll be posting a Google doc for the AU soon with some comics.

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nextstop-fixationstation · 6 months ago

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OK analysis time! Matt said that Marcy's affection towards Sasha was more surface level than Anne's, which was described as "complicated." People might assume that this means that Marcy's affection for Sasha wasn't deep, or that their relationship wasn't.

If we're being honest here they weren't presented as having depth to their relationship so much as having acts and services. They're on the level with each other and can interpret each other's needs for a plan but they are lacking somehow when it comes to each other's emotional needs. This is something Darcy touches upon when they say they might not have ever been friends at all, and might be a core conflict between Sasha and Marcy. It's also a good example of why Anne is the actual Heart of their friendship. She connects and makes their dynamic deeper. While Marcy is desperate to keep people together and hates being alone, she admits she lacks a core understanding of emotional intelligence and this is something she admires in Anne. Marcy treats herself as a tool and mostly makes friends by doing things for them and complimenting them. She's kind of the perfect POV character for a journal that gives lore specifically because she's very attentive to things like strengths and weaknesses and team synergy, but isn't necessarily attuned to emotional intelligence. She kind of blocks herself off from feeling certain things too keenly or doubting herself, and masks it using this peppy overachiever persona.

Maybe if Marcy were more emotionally self aware, she would have been even more openly hurt by how dismissive Sasha is of her interests (even though Sasha clearly does like nerdy things), or she would have noticed that her friends don't really care for RP (etc). But in the series what we see is a Marcy so afraid of being left alone that she'll hide every emotion and every hurt aside from what she thinks will make people stay - she delivers compliments, improves infrastructure, says all the right things to earn trust. She's a great twist antagonist! Admitting that her friends don't or can't reciprocate her interests or desires is important to her arc, because it serves as a lesson to her that friendship is more than just doing things together or doing things for each other. Marcy and the others aren't just tools in schemes and plans.

We hear from Anna that Sasha has difficulty knowing when to bring other people to the table, so for someone like Marcy who thinks that she needs to earn everything through acts/upgrades, it makes sense that their relationship remained very surface level. Neither of them pushes the other to see things differently, while Anne does. Anne can acknowledge where people hurt and hurt her, and can acknowledge that this doesn't mean they aren't friends or significant to each other. Anne notes the complexity! It's why she's so compelling.

So, Marcy acknowledging how hurt she is that her friends don't want to do what she wants is significant because she also says, "I believe in you." Love goes beyond the stuff we do for each other. There's a bit of faith, too. What she did isn't right either. Being hurt isn't an excuse.

Darcy isn't just "evil Marcy," the Core is also every temptation for Marcy. Escapism, distraction, perfect friends who go on quests with her whenever she wants. There's a darkness to this kind of insecure attachment that Darcy reveals. Fear of inadequacy and irrelevance. Fear of loss. Fear of change. Fear of what is deeper than skin deep. Maybe my friends will forget me if I move. Maybe I'm just their nerd, just like Sasha's just cool. So their relationship isn't surface level to us, because this nuance is communicated to us through the subtleties of the show's execution. It's a really well acted, well boarded, well written show with fantastic music! It's really amazing!

Sasharcy IS very complicated! But it's complicated because they never dig deeper with each other until it's too late. It's also why it's significant that Sasha is the one to ask, "Can we save this friendship?"

Why is friendship with Marcy so easy? Is it because they got along and there's mutuality here, or is it because they didn't let themselves get any deeper than what was easy? It's so easy for them to just be the controller and the executor.

Forgiveness is hard. Forgiveness takes time. It takes a lot of thought, discussion, and work. Friendship in the long term, deep enough to mean something and hurt when it's gone, is similar. It's not just sentimentality and acts of appeasement.

aaaaand that's what i think matt meant when he was like "marcy's affection for sasha was kind of surface level"! I will admit I was like noooo Matt noooo don't say it was surface level whyyyy but like i had time to think abt it so i'm fine now lol lmk ur thoughts💙

smth i didn't add to my original tweet thread is that i DO find it interesting that marcy appears to specifically empathize with the experience of lonely people who grow up a certain way or doing things a certain way to protect themselves from loneliness. she seems to have an intuitive understanding of people fitting into groups via niches, but is drawn to people who already seem like outcasts as opposed to being able to identify it when someone is surrounded by people they seem to easily connect with. Marcy has this fundamentally insecure and lonely viewpoint that makes her very interesting to read and analyze, and I suspect it also contributes to her popularity. I mean, clearly *I* love her

#amphibia #sasha waybright #marcy wu #amphibia analysis #sasharcy #clearly I LOVE marcy or else I wouldn't be so harsh on her! shout out to you matt braly you know what's real

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zzzzombroccoli · 11 months ago

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i have so many things i like but my brain is just telling me not to bother.

i gotta start journalling or somthin' man because the mh is not mh'ing.

#zomb rambles #like here i go sad rambling. but i also don't think i have any interested followers so like i can ramble without a worry #but i still think i gotta take up journalling to keep this off my tumblr.#art? don't bother. rp? don't bother. u literally have no rp friends girlie why u trying

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maxmoffs · 21 days ago

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anyways , this is long but appreciate u listen to me yap! haha i will be super busy leading up to christmas due to work and family commitments! so i wanted to properly share and thank every single one of you right now, lowkey got inspired by @mercred with this . my little christmas + new year goodness and positivity mantra going into 2025 . writing is super special to me as someone who loves to act and create stories! on top of that, i am and have been known to be often times a bubbly person and just isn’t afraid to share (sometimes a little too much haha) because i always love inviting people and grew up this way, to be welcoming and inclusive of others always. so i know i share my gratitude excessively sometimes, which i will now refrain from doing going forward & treat this as my last ever, but know that it truly comes from love and from an experienced tumblr rp-er from the past who has left the rpc. of course if you’d been here from when i re-entered and re-introduced wanda , U know that it was just two months ago hahah, literally . but if you’re new here , hi im ellie! and I literally have re-entered the rpc world after 4-5 yrs , and idk how long im going to be here but it has been such a blast this time around and have been so endearing to have had been welcomed with wanda , i love wanda so very much . i have much to say about her always , If that isn’t already obvious with my 273930302 headcanon yaps about her . and i just want to say that in the short span of time that had been already , despite my slow progression of really just having a good time here , I just ADORE and thank YOU for appreciating my portrayal of wanda , it means truly a lot . amongst many characters i love in general and that i could see myself writing , she is on top with them , and everyone else who has Wanda and their own interpretation are all so incredible, im obsessed with her comics , and will always fight for her recognition while her character becomes more popular these days because of marvel’s media presence, and im just really glad you guys are as enthusiastic about her just as much as i am . not that i need to prove how much I love her or know about her , but genuinely appreciate that you guys let me talk your ear of about her and my other muses , . but to wrap it all up like a present , i love YOU all vv much , im so grateful so far , compared to my previous time on tumblr in the past , I was shy and really rarely wrote with ppl bc what a toxic scary cliquey place it can be as well , but having experienced this much love , understanding , patience & warmth since my psa post . seriously , it has been such a healing experience to be back in this space so welcomed and excited , and also pleasure to now see and be surrounded by such kind souls who quote literally just wanna vibe and write . which is what I love the most. thank you for making me feel welcomed here . tumblr do be a scary place but yall make it so bearable and want to stay , i promise that going into the new year as im still around my mantra will be , even if idk for how long it could be , [ is to just have fun ] , bc like i said , coming back into rpc in general really was not in my cards this year like i have no idea why but i have been enjoying it and just basking in the light of it all , bc my inkling to just write again through an avenue that wasn’t my journal or my work, has been so strongly embedded in me , that i wanted to exude my love for writing somewhere I can be expressive with . at times i can be sporadic due to my schedules but also that life is life, do know that i will always BE 100% when i am around and know that i love to write every single one of my characters and that you are so loved here . this space will. ALWAYS be safe and welcoming , because i know and have experienced the other end of that stick plenty of times before , and will always create a fun experience with my writing ♥️ . a thousand thank you’s from me and wanda hexing you with hearts rn .

love ellie ! 🫧

#long post tw #&. ( love ellie! ooc. )#phone yaps.

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midrew · 4 months ago

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HELLO @tripolishigh !!! i’m morgan <33 you may have seen me during school dance performances or working with the journalism club !! don’t be afraid to come up and say hi, i don’t bite :)

@half-a-goat is my roomie <3 go say hi to them too !

my clubs :

journalism club

dance club

other extracurricular activities :

im in the official ballet team of the school

also in pep squad :3

i play games (VALORANTTT & MINECRAFT, DONT BE AFRAID TO HMU !!) (this is not for school though)

ooc:

high school au! morgan drew oc created by @jnephrite . hs au made by @jaimereyesbug !

brief summary — junior hs student, morgan drew, sweet & kind is the mastermind behind pranks on teachers most of the time. but she’s never suspected because why would suspect the kind soft-spoken junior ballerina??

born to be a gremlin, forced to be a sweetheart

in this au, harley is still morgan’s adopted mother even if morgan isn’t carnival :)

byi — i’m still thinking about whether i’d do novella rp here but for now it’s a blog interaction blog !

she’s just a normal girl in this au, silly normal girl. (she still break fourth walls thoughhhh, she’s just not a criminal)

SINGLE-SHIP (OPEN / in jaceverse, her main ship is w conner kent but mmm)

other morgan accounts : @movntaindrew / @shecarnionmyval

CARRD | MORGAN DREW / CARNIVAL TAG | DC OC SERVER COMMUNITY

associated accounts (tell me if i missed someone!):

@half-a-goat @roboticguy @billybatsonz @dameswayne @barthallan @dukealicious @luke-the-loogie @totally-tim-drake @percieve-me-dont-forget-me @corus-lim-w @j-nakamura @kon-el-konner-luther-kent @cassandra-e-sandsmark @moss-loves-dinosaurs @cazirole

#dc oc #dc rp #morgan drew #high school au #tripolis high

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utilitycaster · 10 months ago

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…so I decided to check out Polygon’s D20 coverage, and frankly I think you were entirely too kind to them. Good. GOD, some of that stuff read like they’ve never watched AP that *wasn’t* CR, D20 or the first season of TAZ. And have somehow made it thru the 2010s without encountering urban fantasy…

Anyway, to further nudge you towards your destiny of AP journalism (and with the understanding that you have a Real Job and a life outside TTRPGs and the internet); can you please expand on what you think D20 brings to the table?(pun unintended, but I stand by it) Because speaking as someone who has watched a handful of eps and enjoys the concepts, the praise PG were offering was damningly faint.

Hi! Thank you, and for what it's worth I don't think most of them have listened to the first season of TAZ either, given the way they talk about WBN as inventing the actual play longform podcast. I do want to note: I like writing longform stuff about actual play but I am adamantly not a journalist. I am not investigating or interviewing or reporting; I'm doing analysis and editorial. Amateur critic is the most I can claim to and that's a stretch (and even there I have a particular privilege in that I'm writing all this for free, anonymously, by choice, and don't need be be nice or maintain relationships with actual play performers within the space because I could burn every bridge and still make rent.)

Anyway. I think a major flaw of Polygon is that it's so focused on novelty and subversion that it forgets a well-worn concept, executed with skill, is actually great and for many people, preferable. Brennan, from everything I have heard him say and from how he actually runs games, has a deep respect for fantasy as a genre, and the stories he tells in D20 are ones he is clearly familiar with and loves. I also think to subvert things you must be a fan, and when D20 does successfully subvert or twist a genre, it's coming from a place of respect and understanding.

Anyway, just covering a few Intrepid Heroes seasons: I think Fantasy High (and I haven't gotten to the latest episode of Junior Year) is actually increasingly a brilliant deconstruction of D&D as a game by making the world aware that it's in a D&D game. What does it mean to be in a D&D party and be an adventurer and have that be a significant part of who you are? What does it mean to be a commoner in this world? What do you do when you're sort of a broke teen in generic suburbia but also you need the loot that an adventurer would theoretically get from dragon hoards? Why do you have to know what your life's calling will be when you're 14? One of my personal favorite things, as a lover of mechanics and TTRPGs as a system of storytelling and more generally as someone who believes that your medium of choice should be informing the story you tell, is when people engage with character roles and classes instead of treating them as just a set of cool things you can do, and Fantasy High very much pushes the players to do this. I also mentioned elsewhere that the downtime stress mechanics are a brilliant addition to one of the genuine gaps in D&D, namely, while downtime is a time for open RP, there's not a good way to handle things like stress or crafting or prioritizing well.

The Unsleeping City is one I like, honestly, just because I lived in New York for a few years and Brennan lived there far longer (as did much of the cast, though not all) and his love for it is apparent. I don't think it's groundbreaking; I just think it's really good. The characters are excellent and the story is fun. It's true that, for example, it allows you the satisfaction of making Amazon's and its attempted move into Long Island City the BBEG and smiting its ass instead of having to harangue your senators and councilpeople (as I did, and I wasn't even living in Queens) but really it's just a good story. It doesn't need to be more than that. It did not invent urban fantasy or the idea of a secret magical version of a real city or "most myths are real"; it's just a good story!

I think A Crown of Candy is also just a fun setting and, by making everyone food, emphasizes how petty and arbitrary the alliances in a Game of Thrones-esque milieu can be. It casts a scathing eye on religious interpretation as a tool for conquest without clumsily proclaiming the mere concept of religion is the problem. It has one of the best explorations of character death I've seen and Brennan's acting as Caramelinda remains a tour de force for him. Bringing the entire story of succession and war down to a final choice between two half-sisters remains a brilliant decision, the setting is supported by the mechanical limits Brennan imposed upon character creation, and it's overall beautifully done.

Even Neverafter, which I think have openly said didn't live up to its initial promise, had that promise with the fantastic handling of the TPK; I have a love for metanarrative and honestly my issue is that it was the wrong place to do metanarrative, but it was a bold choice to do in the unpredictable medium of actual play.

That's really only covering a fraction - I think some other standouts are Mentopolis, A Court of Fey and Flowers, Coffin Run, and Escape from the Bloodkeep, and while Shriek Week is just not a genre I'm personally super drawn to, I think the Mythic system is a great system for the story being told and Hicks does a great job running it.

Really what it comes down to is that D20 falls in between what a lot of shows are. It doesn't have the freedom but also the burden of a very long-running campaign (indeed, WBN exists because its performers, all of whom have featured in D20, wanted to be able to do longform actual play), nor is it quite as rushed as an all-miniseries or one-shot show. It has space to explore one or two things really well without having to carry a thousand different threads (and believe me, Brennan tries to put in as many as he can in that space - I actually wonder if the reason Fantasy High Junior Year feels a little more streamlined to me is that WBN was by that time in full swing). But it's not the first edited actual play, it mostly uses very widespread systems, the production values are high but not unheard of elsewhere (and I think that production values in AP beyond the basic 'can you hear and, if relevant, see things clearly and does the set look nice' are overrated though that's a personal preference), the cast is strong but not the first group of professionals or even comedians, and they didn't invent the concept of filming remotely or scrims or having an anticapitalist message.

My issue with the journalists, to reiterate that, is that they're not really doing much journalism, actually; and that their bias is horribly apparent. There's little analysis - just shallow reviews that show little understanding of actual play as a medium, fantasy as a genre, or TTRPGs as a system. And while being entirely free of bias is unavoidable - we are people, and we will bring our own interpretations and experiences in, and there are people who will love D20 and dislike Critical Role without doing so in bad faith - the fact that several of the journalists have openly crowed and preened about their special access to the D20 cast really makes it apparent that they like D20 because Dropout gives them early access and says nice things about them. And it's a feedback loop; Critical Role is going to keep saying "well, you constantly shit on us, so no, you don't get early access" and they'll keep writing bad reviews because they don't get early access.

But to return to the point, D20 is legitimately great and yeah the bias in my mind is only hurting them because, speaking only for myself, if there's two things I like and people heap fawning and inaccurate praise on one and nitpick the other? I'm going to start looking into that praise and find more flaws, and I'm going to start defending the nitpicked one. I really love Fantasy High Junior Year but the Polygon article is so bad I have to remind myself that it's just because the person who wrote it is an idiot. I probably would have gone into Kollok much more neutrally if people didn't act like it was the fucking invention of television. Do give D20 a try if you can! Don't read the articles.

#answered #greatgodempresspan #d20 tag

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